I'was born in Italy ('57) in Carpi, Modena, a city of medium dimension in the north, famous as "Fashion District Production", it's the same city where I currently live.
My recent arworks includes abstract-surrealist art, full of lively and sunny colours, with poetic references, literary and musical.
The subject matter of my work is often poetry and literature, that inspire me to represent, in different ways, some poetic compositions; but also songs, words, quotations, everything which captures me in one casual moment.
My themes are love, nature, feelings, sensations, thoughts.
It leads me to a certain libertarian spirit, born from the passion for Surrealism, understood as a philosophy of life: "poetry, art, love...the surrealist game...the principle of pleasure on reality..." (Arturo Schwarz, Milano, 2009).
(Reading A. Schwarz, I discovered with delay and amazement, that the artists I had always loved, all had a common thread leading to Surrealism: I love G. Apollinaire; it was ten years that I wanted to represent her poetry: "La Jolie Rousse"and is finally among the recent paintings of '17..." Apollinaire is among the forerunners of Surrealism"; I have deepened for a long time and loved most of all J. Mirò, beyond the work, even life, thought, daily life, ..."Mirò is the most surrealist of surrealists"; I have been concentrating passionately on the work of artists, taken individually and for long time, and they are:
G. Moreau, Kandinsky, Chagall, Duchamp "They are all among the precursors of the Surrealism"; I like about the words of A. Schwarz when he says: "From Surrealism does not go back; with Surrealism something has happened forever").
These are my reference stars, from which I try to move in my adventure through the paths of art.
I express myself in different ways, as painting lotus leaves, in a plastic form, with oil colour; painting on large canvas portraits; representing a surrealistic poetry with dream images, a bit abstract a bit ricognizable shape; I also like silk and make many collages with it, in mixed media; or even to create real "talking cushions" in silk, like art objects that hide their sense in a literary story, to be discovered, inside them, just like" surrealistic game".
I also like inks and water colours, used in informal style, but always representing a theme, a title, a wrote word, one formal element at least.
I think my artwork as something of contemporary, I'm interested in new technology, new expressive ways in general, I like experimenting and have curiosity for all that surrounds me.
I think that an artist must express their time.
My works are in private collections in New York, France, in Italy in Firenze, Correggio, Carpi and public collections in Municipality of Fiorano Modena, Carpi Ramazzini Hospital, factory Soliera Modena.
Finally I would like to celebrate -beauty- in art, by quoting the artist's work Patrick Mimran that in '07 with his famous "Billboard", the big billboards appeared on the streets of the metropolis, struck me and in particular with a work, I wanted to take:
"Art doesn't have to be ugly to look clever
I didn't follow a formal course in artistic training, even though my passion had already emerged in adolescence, at the age of 15, at the same time, to a high school degree in administration , I have started with a mixture of different experiences in private schools studying piano, art history, live drawing, oil paint, conferences cycles in modern art, helding by art critics, so as travels at archaeological sites and art museums in Italy, and in Europe in Paris, London and Amsterdam.
Poetry and literature are the hallmarks l’ve maintained during the years. They have inspired me to represent in different ways some poetic compositions.
My use of poetry quoting began with the poet Mario Luzi in the representation of his poems in an oil painting and in water-colour (1989).
In my first personal exhibit in Florence l created an installation of banana leaves, quoting Caliban, from Shakespeare’s Storm (1992). In that same period l did water-colours of poems from the poets: A. Negri, V. Cardarelli and S. Mallarmè.
More recently, my poetic quotations on silk panels are of W. Shakespeare, G.G. Byron, G. Ungaretti, the Odyssey and F.G. Lorca (2010-2012).
A second hallmark that l have maintained through the years has been the experimentation and the adventure into and through paths working with various materials as in the use of petals, flowers and leaves on different materials: the first tests were done on large tropical Alocasia and Banana leaves and then the composition on paper of the - Artist’s Book – (1991-95)
'Un Libro da Appendere'
Later, in a long series, l worked on large lotus leaves shaped like sculptures and oil paintings respecting the natural interweaving leaf venation 1993-’94.
I worked with writing, matter painting and sewing all on colourful patterned silk fabrics creating paintings of silk, in numerous and still continuous cycles (2010-’12).
In the same period I created the Talking-Cushions. Five surrealist objects, real cushions, even to hang, sewn in multi-coloured silk, which represent passages from the famous book: -The Rivers Ran East- Leonard Clark, 1954 New York.
An autobiography of the 1946 exploratory expedition of an area of the Amazon, “ El Dorado “.
The narration is so wonderful and spine-chilling which is as clear as the author has been overwhelmed by the magnificence of nature, despite his, while facing a nightmare in a green hell.
I've been searching for other literary sources on amazon explorations, but I did not find this natural abduction.
So this abduction has infected me and I wanted to interpret it in an art form:
Each cushion, interpreted and worked as a silk collage, contains literary quotations intentionally hidden inside it. A word invites you to its discovery (with a clear reference to the much loved, Alice in Wonderland), once found, the quote is handwritten on crisp silk of taffetà, able to remain suspended like a cloud (2010).
Later on l wanted to experiment with digital technology by transforming lotus leaves into enlarged photographs, allowing one to gaze at countless vegetation paths, which were initially traced out and painted with the idea of envisaging a real natural complete immersion (2008).
At this point I would like to reveal that I don't have the habit of traveling; in the past I traveled only in Europe; anyway I don't like at disassembling or disturbing these my travels of imagination with a true- travel-with-suitcase.
With ceramics in 2012, l have designed five large classical Greek ceramic pots, blue, red, orange, yellow and green. My research has dealt with the study of Colours, to celebrate this, the most important colours of antiquity, their mesmerizing beauty and the archaeological value. Once again, l quoted a poem regarding each particular colour, which became the heart of the work (2012).
In '15 I've restarted the passion of oil paintings on large canvas; then finally after ten years of waiting, I realized theproject of paintings inspired to Grand Tour of the end of nineteenth century, through the captured images, in Italy, by russian landscapers.
In '16-'17 I started a new series of paintings on leather-cardboard holder, with oil pastels and acrilic, using bright and dense colours: the themes are always the same, recurring: poems, lyrics of songs, thougts, traces tracks from "The Tempest" by Shakespeare, such as: "Ariel's song".
I believe that these recurring themes are mine that draw, and that they are not exhausted at all.
In 2017 I did a long series of artwork on paper as collages, with oil pastels, acrilic, ink; one time again, some of them are dedicated to "Alice in Wonderland".
I have restarted the passion for make painting with silk, this time making bolder artworks, compared to the first of '10; there are some inspired by C. Baudelaire from. "Les Fleurs du mal".
My artworks are in private collections in New York, in France, in Italy, Firenze, Correggio- Reggio E., Carpi, in public collections in Municipality of Fiorano-Modena, in Ramazzini Hospital Carpi, in company Icam of Soliera-Modena.
Artworks are exibited in Firenze, Mantova, Carpi. Online are in Saatchi Art,
2018 september - la vigna atelier Carpi Modena exhibition of painting and sculpture Mara Montanari e Carlo Vellani
- Eschilo al Globe -
'14-'18 Open Studio, Carpi Modena, Italia
'14-'15-'16-'17 la vigna atelier, permanent exhibit with hospitality for one reservation at a time, which includes up to four people, reviews un atelier d'arte fiori e privacy
2014 Saatchi Gallery, Los Angeles, featured in a collection
curated by Bridget Carron -Inspired by Impressionism-
with oil on canvas - The Elder Tree -
2013 Saatchi Gallery, London, featured in a collection exhibit in
loop screen with painting-photography of lotus leaf
- From Volcano to Butterfly -
2012 Open Studio, Carpi Modena, Italy
exhibit of recent works at la vigna atelier
2010 commission by Icam-Inox company, Soliera-Modena
2008 opening Studio of la vigna atelier
2002 commission by Ospedale di Carpi, Ostetricia
1998 personal exhibit at the Banca Popolare E.R., piazza
1997 exposition -ante d'artista- under the colonnades of the
historic centre of Carpi, organised by group Edonè
1997 exposition of paintings - artis arbor - in piazza Erbe,
1997 exposition -un libro da appendere - organised by atelier
arti visive Ducale Mantova
1997 exposition -artisti a milioni- sala ganci, organised by the
municipality of Carpi
1997 exposition with the group Edonè of paintings, sculpture,
photography at gallerie di vetrine Duomo, Carpi
1996 exposition -artists for Mantova- works of small size 11x11
cm, organized by atelier arti visive Ducale Mantova
1996 exposition with the group Edonè at - a garden for art - in
the garden of Pretura di Carpi
1995 partecipation at primo premio Trevi Flash Art Museum
1992 personal exhibit at galleria Teorema, v.del Corso, Firenze
1989 1st prize at the 12th Biennale d'arte, Fiorano-Modena